“It wasn’t particularly surprising because it is something new,” Peter Jackson told the Hollywood Reporter.
He added: “Ultimately, it is different in a positive way, especially for 3D, especially for epic films.”
The 3D film has been shot at a rate of 48 frames per second, compared with the industry standard of 24 frames.
The 10 minutes of unfinished footage was criticized as uncinematic – with some detractors claiming it “looked like a made-for-TV movie”.
“It does take you a while to get used to,” admitted Peter Jackson.
“Ten minutes is sort of marginal, it probably needed a little bit more.
“Another thing that I think is a factor is it’s different to look at a bunch of clips – and some were fast-cutting, montage-style clips. This is a different experience than watching a character and story unfold.”
Peter Jackson told the Hollywood Reporter that he had no plans to shoot a trailer for the film using the same 48-frame-per-second technique.
“The 48 frames is something you should experience with the entire film. A two-and-a-half minute trailer isn’t enough time to adjust to the immersive quality.”
The Hobbit: An Unexpected Journey is the first chapter in Peter Jackson’s two-part adaptation of JRR Tolkien’s fantasy classic.
The two films were shot back-to-back in 3D, with the second part, The Hobbit: There and Back Again, due in cinemas in December 2013.
Oscar-winning filmmaker Peter Jackson believes the new filming format will take time for viewers to adjust to.
But added: “As another creative tool, I think it’s is a really important thing.
“Advocating that we have to stick with what we know, I think is a slightly narrow-minded way of looking at things when as an industry we are facing declining audiences.
“We have to find ways to make it more vibrant, more immersive – something that will encourage people to come back to the theatres for that experience.”
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