Nomadland has scooped three Oscars including best picture, while Anthony Hopkins and Daniel Kaluuya have won acting awards.
Nomadland’s Chloe Zhao made history as the first woman of color and second woman to win best director.
Anthony Hopkins, 83, is the oldest winner of best actor, while Daniel Kaluuya is the first black British actor to win an Oscar – for the best supporting award.
British actress-turned-writer/director Emerald Fennell won a screenplay award.
She won best original screenplay for Promising Young Woman, which she also directed.
Frances McDormand won best actress for her role in Nomadland, while veteran South Korean actress Yuh-Jung Youn won best supporting actress for Minari.
The awards were handed out in one of the grand halls at Los Angeles’s stylish Union Station to allow for a Covid-safe ceremony, while many UK-based nominees were at a venue in London – although Anthony Hopkins was at neither.
Anthony Hopkins won best actor for his masterful performance as a man suffering with dementia in The Father, 29 years after he won his first Oscar for The Silence of the Lambs.
The actor’s victory was the biggest surprise of the night. The award had been tipped to go to the late Chadwick Boseman, who died at the age of 43 last August, for Ma Rainey’s Black Bottom.
It was perhaps a surprise to Sir Anthony himself, who was neither in LA nor at the British Film Institute in London, the ceremony’s UK venue.
Anthony Hopkins was thought to be in his native Wales, and there was not an option to appear via Zoom, meaning he did not appear on screen or in person.
The Father also won best adapted screenplay for Sir Christopher Hampton and Florian Zeller, who called Sir Anthony “the greatest living actor”.
Nomadland, the slow-burning drama about a woman living in her van in the American West after the financial crash, won the top prize for best film, plus best director and best actress.
Frances McDormand, who now has three best actress Oscars, is one of the only professional performers in the film. Most of the rest of the cast is made up of real people playing fictionalized versions of themselves.
In her acceptance speech, Chloe Zhao thanked the real-life nomads “for teaching us the power of resilience and hope”.
Before Chloe Zhao, the only woman to have won the directing prize in the Oscars’ 92-year history was Kathryn Bigelow for The Hurt Locker in 2010.
Meanwhile, black-and-white film Mank, which led the nominations with 10, picked up two awards, as did Sound of Metal, Judas and the Black Messiah, Ma Rainey’sBlack Bottom and Soul.
Scarlett Johansson fills the role of Janet Leigh, who was famously “killed” in the shower scene for her Golden Globe-winning performance as Marion Crane in 1960 Alfred Hitchcock suspense/horror film Psycho.
In the first look at Hitchcock movie’s trailer, Scarlett Johansson’s feminine form is alluded to twice, once over a dinner meeting with Alfred Hitchcock [Anthony Hopkins] and again when the filmmaker speaks to his wife [Helen Mirren].
Scarlett Johansson, 27, swans into frame during the trailer wearing in a low-cut halter neck peach satin dress, before sitting across the table from Alfred Hitchcock to discuss the role.
As the New Yorker begins to gesticulate, she asks: “How exactly are you going to shoot this shower scene? Well, it’s only from here up I’m not exactly boyish.”
Towards the end of the footage, we also see Helen Mirren’s character Alma Reville tell her husband: “Ooh, you imp! You’ve got n****y in there.”
To which he responds: “Well, her br***ts were rather large. It’s a challenge not to show them.”
Scarlett Johansson fills the role of Janet Leigh in Hitchcock movie
As Hitchcock‘s trailer opens, Anthony Hopkins provides an eerie voiceover, revealing: “All of us harbor dark recesses of violence and horror, I’m just a man hiding in the corner with a camera, watching.”
Helen Mirren plays the long-suffering wife, seen in bed reading the script: “It was the knife, that a moment later cut off her scream and her head, charming Doris Day should do it as a musical!”
It then cuts to a business meeting, where the filmmaker is told: “No one respects the name Hitchcock more than Paramount, but even a talented man sometimes backs the wrong horse.”
After he’s told he can make it if he can finds the money himself, Alfred Hitchcock whips out his cheque book.
However, the movie becomes an obsession and a financial nightmare after film bosses try to ban the film from hitting cinemas, leading to domestic troubles at home.
Alfred Hitchcock is seen shouting at Alma Reville, saying: “I’m under extraordinary pressures on this picture and the least you can do is give me your full support.”
But she responds: “We’ve mortgaged our house. I am your wife, I celebrate with you when the reviews are good, I cry for you when they are bad.
“And I put up with those people who look through me as if I were invisible as all they can see is the great and glorious genius that is Alfred Hitchcock!”
Speaking of the film still that was released as a teaser yesterday of Scarlett Johansson behind the wheel of a car in the same pose as Janet Leigh, director Sacha Gervasi said: “When we took that still of Scarlett behind the wheel and put it up against the still of Janet behind the wheel in Psycho, it was eerie.
“The extent to which Scarlett was able to channel Janet [was] a real surprise. She brought it in such a way that no one really anticipated.”
Hitchcock movie, which hits screens on November 23, also stars Jessica Biel as Vera Miles.
The director notes that the beautiful Total Recall star faced the same challenges that Vera Miles did to get into character.
“Hitchcock dressed her up in a wig and did everything they could to make the beautiful Vera Miles look frumpy,” Sacha Gervasi said.
“What Hitch tried to do to Vera we tried to do to Jessica, and the results were equally ridiculous. It is not possible to make Jessica Biel dowdy.”
Vera Miles was an American actress who worked closely with Alfred Hitchcock, notably in Psycho, having played the sister of the Janet Leigh’s character, which she reprised in Psycho II.
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